|  | Surderban destroy JV's EX1
 
 Picture Daryl Balfour
 
Together with professional photographers 
						Daryl & Sharna Balfour, I am moving along the floor of a 
						deep canyon at Tiger Canyons in the Free State of South 
						Africa.  
Three 10-month-old tigers run, stalk, 
						pounce, and play in front of us.   
On the 10th of January 2009 two normal, 
						and one white tiger had been born to tigress "Julie". 
						Unfortunately she had abandoned the cubs soon after 
						birth and now I was rehabilitating them, preparing them 
						for a life in the wild.  
Tigers love the water and two of them; 
						Shine (the white female cub) and Zaria (the normal 
						female cub) were swimming in the pool.  
The tigers were beautifully back-lighted 
						so with the Sony EX1 in hand I moved down the bank 
						towards the water and began filming. Through the lens, 
						the back-lit water looked spectacular as the two tigers 
						romped together.  
Although I have Andries and Richard 
						assisting me, and watching my back as I film, none of 
						them saw the attack coming.  
The male, Sunderban, saw the 
						opportunity. I was below him and facing away. If he 
						could knock me over into the water he could be on top of 
						me before I had a chance to recover myself.  I felt the 
						full impact of the 60kg male tiger as he hit me at 
						shoulder height. I had no chance, myself, and camera 
						flew through the air landing in the water. Fortunately I 
						missed the rocks otherwise it would've been more than 
						just a broken camera. The EX1 was completely submerged 
						and being electronic, there was no way it could've 
						survived.  
As I tried to dry the camera in the sun, 
						the horrible truth hit me. I was expecting the birth of 
						tigress Julie's 3rd litter. Now I was without a camera.  
Accidents always seem to happen on 
						Friday's so I would have to wait two days to get help. 
						The wait could be costly, I may miss the birth 
						completely.   
I phoned Alan Worsley of Magnus / Visual 
						Impact and he told me that he had some new EX1's but 
						they hadn't cleared customs yet.  
My assistant, Jade de Klerk, drove the 
						EX1 to Jo'burg on Sunday, and by Monday morning it was 
						with Gordon...... The Magnus visual technician who 
						confirmed that corrosion had set in, and that the camera 
						was beyond repair.  
I immediately phoned Andy Dougal of 
						Crawford Douglas, the insurers of the camera. They paid 
						up in record time and Alan's new EX1's cleared customs 
						and Jade was heading back to tigers by Thursday in time 
						for me to capture the birth of Julies 5 cubs (4 normal, 
						and 1 white) on the Sunday.  
For 30 years I have filmed around Africa 
						using the Arriflex SR2 movie camera. At one stage I 
						owned six Arriflex cameras. I had Masai, Shangaan, and 
						Zambian camermen rolling the Arries. My library 
						currently stands at 4.5 million feet of film, the 
						biggest private  Super-Sixteen wildlife film library in 
						the world.  
The ability to shoot at 150 f.p.s 
						remains one of the greatest features of the Arriflex 
						camera and it remains one of my favorites.  
In 2002 I converted to video camera, and 
						in 2008 I was introduced to the EX1. I can say without a 
						shadow of a doubt it is the finest camera I have ever 
						possessed.  
Much of the work I do with tigers is on 
						my own. Where I go I cannot take crews with me. I crawl 
						into dens, I hunt on foot with the tigress Julie, and I 
						have a very personal relationship with many of the 
						tigers.  
The EX1 is light, I can walk, and run 
						with it.  
The EX1 has proved reliable and rugged. 
						It has frequently withstood the impact of the tigers 
						jumping on me and it.  
I have never regarded myself as a 
						film-maker. Rather I am a communicator that commentates 
						what I see in front of me. The reversible screen enables 
						me to do self-interviews in the heat of the moment, and 
						if I don't like the delivery, I can simply delete it and 
						do another one.   
I never use radio-microphones, as they 
						simply wouldn't last long around the tigers. Instead I 
						keep my mouth close to the camera and it produces audio 
						which is pure and crisp.  
The EX1 shoots full high definition and 
						has a "silver status rating" with the big television 
						broadcasters.  
Recently, using the EX1, I shot the 
						birth of two tiger cubs at 10:30am. By 19:00pm the 
						sequence was on YouTube and by the following morning I 
						had 10,000 hits. This truly is communication at its very 
						best.  
Sunette Fourie has delivered hundreds of 
						sequences straight from the camera without having to go 
						through the Avid system.   
For any film-makers / communicators 
						working alone under difficult circumstances I can highly 
						recommend the EX1.  
If Sony brings out a light, rugged EX1 
						with inter-changeable lenses, it will be the absolute, 
						ultimate camera for me!  
In the meantime, I can safely say that I 
						have had more fun and more success with the EX1 than any 
						camera I have possessed.  
I would like to thank Alan Worsley and 
						Gordon. of Magnus Visual Impact for securing me a camera 
						so quickly.  
To Andy Dougal of Crawford Douglas for 
						paying the insurance swiftly, and to Jade de Klerk for 
						driving to Jo'burg and back (1300km) to get my camera 
						back in time for the birth of the next litter of 5 
						cubs.  
      
 For sale:Shingalana, Living with Tigers, Jamu, Perfect Mothers
 contact us 
				[email protected]
 
	YouTube movie clips 
John Varty also made wildlife 
								films. As part of his filming projects, he 
								introduced cheetah, a lioness, two leopards and 
								two tigers to the wild. He came to realize these 
								magnificent creatures are no less complex and 
								intelligent than we are. JV believed that 
								through film he could make people concerned 
								about habitat destruction which was resulting in 
								more and more species dying out every day. “I 
								wonder if my children will ever fly in the dust 
								of 1500 elephants, or half a million wildebeest 
								migrating from the Serengeti or see a jaguar 
								swimming across an Amazonian river. I hope so." 
								His films have achieved top ratings on US TV 
								channels and have been seen by millions of 
								people and, he hopes, have resulted in a greater 
								reverence for our planet and all living things. 
								He has won many top documentary honors such as 
								the New York Gold Award, the Film Festival of 
								Montana Best Independent Program and American 
								Cable TV's Ace Award. Major international 
								customers include Walt Disney, The Discovery 
								Channel, Time Life, Reader's Digest and Turner 
								Original Programs (TOP).  Shingalana JV believed that through film he could make 
				people concerned about habitat destruction which was resulting 
				in more and more species dying out every day. He believed that 
				conservation tourism could provide the income to make the 
				wilderness a self-sustaining business. JV realized that he could 
				communicate far more effectively with a camera in his hands. 
				Filming is incredibly hard physical work and there is always the 
				element of danger. He has been charged by a lion, even to the 
				point of being knocked down. He narrowly escaped being gored by 
				a buffalo. He just managed to side-step the vicious jaws of a 
				crocodile on the banks of the Sand River when his attention was 
				on filming a giraffe on the opposite bank. He has been caught in 
				a wildebeest and zebra migration in the Masai Mara and he has 
				literally crawled away from a helicopter accident. Over the years his productions have taken him 
				all over the world and he has built up a network of contacts in 
				Kenya, Tanzania, Zimbabwe, South Africa, the United States, 
				Canada, Australia, Peru and the Amazon. His films have achieved 
				top ratings on US TV channels and have been seen by millions of 
				people and, he hopes, have resulted in a greater reverence for 
				our planet and all living things. He has won many top 
				documentary honors such as the New York Gold Award, the Film 
				Festival of Montana Best Independent Program and American Cable 
				TV's Ace Award. Major international customers include Walt 
				Disney, The Discovery Channel, Time Life, Reader's Digest and 
				Turner Original Programs (TOP).  Filming has done two things for JV. Firstly is 
				has opened doors all over the world for him. Secondly, it has 
				broadened his horizons to the ecological disasters that man 
				perpetrates globally. JV's Films: 
Living with Tigers   
	ShingalanaAmbush in Paradise   
	Troubled Waters    Swift and Silent
 The Super Predators   
	Defining Moments   
	Super Hunts Super Hunters
 Survival on the Savannah   
	Wet and Wild   
	The Tracker
 Sense and Scentability   
	Horn and Claw   
	Londolozi's Africa
 Hunters   
	Savannah Cats   
	Hyaena the Great Opportunist
 Cycle of the Seasons   
	Brothers in Arms   
	The Mating Game
 The Silent Hunter   
	River Dinosaur   
	Savage Instinct
 Perfect Mothers   
	Perfect Predators   
	A Secret Life
 Jamu the Orphaned Leopard   
	Return of the Kings   
	The Brotherhood
   
		  
		  
		  
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